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The Fender Bassman Amplifier has gained a reputation for being the go-to amp for both electric guitar and bass players. The warm tube sound was introduced in when the first Bassman model was designed for Fender Precision Bass guitars. Shortly thereafter, the Bassman would become the most sought after amplifier for country and rock guitar and bass players. The ability to date a Fender Bassman will often mean the difference between thousands of dollars when shopping for a vintage Bassman. Since the Leo Fender and Co. The only sure-fire way to date a Fender Bassman is by matching serial schemes.

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Advanced search. From To From. Dating Fender Amps - Tube chart on the inside of the amp is stamped with two letters A - Q : The first letter designates the year and the second letter designates the month. Leave a Reply Cancel reply Your email address will not be published.

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Hot links: The most viewed products The latest arrivals Featured products The latest dealers Featured dealers The latest builders Featured builders. After having created the legend, inFender reconfigured the model into an entirely different thing.

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Yet, Leo and company miraculously created yet another classic in the process. Go figure.

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The first version, the 6G6, is odd in many ways; its Bass channel still used a cathode-follower stage to drive the Bass control, but placed this stage immediately after the input with the Volume control after the first tone stage and Treble following only after another two gain stages provided by another dual-triode preamp tube. For the time being, the Bassman retained its GZ34 tube rectifier.

This might have seemed a step backward except that Fender was putting a lot of thought into cabs at the time, and the closed back brought significantly increased efficiency.

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Along with a few other minor circuit changes, these saw the tube rectifier replaced by solidstate diodes. Later, rockabilly supremo Brian Setzer would fly the flag for the prowess of the piggyback blond Bassman, and it proved a favorite for Tom Petty and Mike Campbell of the Heartbreakers.

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As with a few other models, the Bassman made its way gradually to what we think of today as blackface. Initially, white knobs remained on a black control panel that retained the Presence control and fronted the same circuit within the chassis.

Jun 13,   Dating Contemporary Fender Amplifiers. All Fender amplifiers manufactured from - present include a date code printed on the quality assurance (QA) sticker on the back of the amp chassis, and are dated the by the first letter as the year and the second letter as the month. Bassman 5B6 (tweed) to - to Special thanks to Bassman specialist extraordinaire, Clarke Blanton for his assistance with ating the Bassman dating tables and providing other Bassman facts and figures. Not too many people know more about the Bassman than Clarke. Extra special thanks to co-researchers, Devin "The Tweed King" Riebe, Paul Linden, and the late Greg. fender bassman head. 50 watts. New tubes, all original except some new knobs and some work done on the board, it should last for a long, long life still. Top Used Listings. Reverb Bump. Fender Blackface Bassman Head AA Kivett Bednar. Portland, OR, United States. Quick Shipper. $1, + $60 Shipping. Very Good.

Most amps were still covered in white Tolex, but toward the end of the transition, many were given the new black. While outward indications included skirted black knobs with numbers around their edges and elimination of the Presence control, internal changes were even more dramatic.

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The Bass channel was given a preamp circuit similar to that on the Normal channel from a couple years before but voiced for the instrument and with an added gain stage.

This channel had a new Deep switch, the Normal channel had Bright, and while the preamp was made up of three dual triodes, one triode of the third tube in the signal chain was left unused.

The phase inverter was changed from a 12AX7 to a 12AT7, which has less gain, and therefore encourages later onset of clipping at the output stage. A few other components and values were changed in the output stage. These changes were made in the name of making the Bassman a better bass amp, yet it continued to be popular with guitarists.

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Plug into the Normal channel, and it offers the punchy cleans of the archetypal blackface Fender, but with a little more wallop thanks to the robust output stage, which includes the heavy iron of an output transformer intended to reproduce ample low-end. After Fender was purchased by CBS, the blackface Bassman evolved into the AA iteration; last of the highly desirable Bassman circuits, it was produced for only a few months.

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Though its designation varied little, the AB exhibited several changes. Ever conscious of damping distortion and artifacts perceived as flaws - even if that meant stamping out desirable sonic characteristics - engineers added negative-feedback loops and other squelching networks, which made the amp an underwhelming performer for guitar.

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The AB and circuits that followed also abandoned the traditional bias-level network for one that enabled a balance of bias level between the two output tubes, but not a broad setting. While this rendition of the Bassman and other less-inspiring models of the ensuing years might have denoted the end of an era, they still provided the templates of potentially great tube-amp tone for countless guitarists. Want a Fender-style preamp on one channel, Marshall on the other?

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Easily done! Such has been the craze for maximizing their potential. In this guise, the Bassman was arguably becoming a real bass amp.

DATING EARLY FENDER AMPLIFIERS Dating early Fender amplifiers is sometimes quite challenging. While dating Fender amps made before by serial number is all but impossible (as records of these numbers were never kept), all hope is not lost-the charts below should prove helpful in dating . King Bassman - the late-'50s narrow-panel 4?10 5F6A combo is the amp's legendary iteration. Early Pro Series Bassmans were paired with a cab carrying a single 12? speaker. This might have seemed a step backward except that Fender was putting a lot of thought into cabs at the time, and the closed back brought significantly increased. The Fender Bassman Ten is a stage-ready Silverface combo amp with four 10" speakers and 50 watts of pure, classic tone. Yes, it's kinda big and yes, it's kinda heavy, but crank the gain on one of these no-frills master volume amps and you'll wonder why you don't see more of them on the touring circuit.

Yet, the amps created before that time and a few humble silverface heads produced a few years past continue to give great service to guitarists - and, yeah, pound out the low-end for bassists, too. One rendition or another of the legendary 5F6A Bassman has since remained in the catalog, and it continues to be one of the most revered and referenced guitar amplifiers.

This article originally appeared in VG July issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited. Current Issue Read Now! LOG IN. Log into your account.

The Fender Bassman is a bass amplifier series introduced by Fender during [citation needed] Initially intended to amplify bass guitars, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel mcauctionservicellc.coms being a popular and important amplifier in its own right, the Bassman also became the foundation on which. Sep 15,   The Fender Bassman Amplifier has gained a reputation for being the go-to amp for both electric guitar and bass players. The warm tube sound was introduced in when the first Bassman model was designed for Fender Precision Bass guitars. Shortly thereafter, the Bassman would become the most sought after amplifier for country and rock guitar. The regular watt model remained available during the short tenure of the Super Bassman. This model became the 2?15" Bassman 50 in , a year that also saw the arrival of the watt Bassman 10 combo (the first 4?10" version in more than a decade, although it had a sealed back) and the watt piggyback Bassman , which was basically a Super Bassman repackaged with.

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