Discussion in ' Basses [BG] ' started by tim , Aug 19, Aug 19, 1. Apr 30, Dawsonville , GA. Anyone know where to find out when a Univox High Flier was made? Aug 19, 2. Try this site maybe there's some info that can help you in your search.
At some point, Merson was taken over by Ernie Briefel. The Merson Tempo was an auditorium-sized archtop with a glued-in neck, a harrow center-peaked head which looks almost Kay. The guitar was finished in a shaded mahogany with a pair of widely separated white lines around the edges. Available source material is hard to see, but these appear not to have any soundholes.
The fingerboard was probably rosewood with four dots beginning at the fifth fret. The cabinet was covered in two-tone leatherette. The picture is in black-and-white, but the look is remarkably like Premier amps of the time, so a tan and brown color would not be a bad guess.
The speaker baffle featured a classical guitar design! No information beyond this debut is available.
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Merson instruments from this period do not appear to have been widely distributed, so they are probably a regional phenomenon, although they did get notice in The Music Trades, a major trade publication.
Tempo guitars and amps offered in included three nylon-stringed guitars, three steel-stringed guitars, and two solidstate amplifiers. These were pretty low-end beginner guitars probably imported from Japan, though the heads have a Harmony look to them.
It came with nylons and an extra set of steel strings. These had black tolex covers, front-mounted controls and a rectangular logo with block letters on the grille. The Tempo No. The grillcloth was dark probably black with horizontal flecks.
But by the end of the decade, the collapse of the fad left them holding the squeeze-box, as it were. After some meandering, the Folk Revival picked up at the end of the decade, creating a growing market for acoustic guitars. Hence the Gianninis.
Giannini guitars were and are made by the Tranquilo Giannini S. They are generally known for being well-made instruments featuring very fancy Brazilian hardwood veneers, as well as for the strange-shaped asymmetrical CraViola models.
No reference materials were available on the early Giannini guitars. A catalog from is available, with a snapshot of the line that probably goes back at least a decade, and certainly forward. Six slot-headed Classics were offered. Cases were extra.
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Three CraViolas were offered. These had a strange asymmetrical shape with a pear shape, no waist on the bass side and sharp waist and almost cutaway taper on the treble.
Soundholes were D-shaped with fancy rosettes, with a pointed tortoise guard on the steel-stringed versions. These had slotheads with a Woody Woodpecker-like peak pointed bassward. The bridges were similar to the mustache version on the Country Western. The separation between Briefel and Unicord must not have been entirely unamicable, probably more a matter of direction than anything else.
In any case, infollowing the demise of the Univox brand when the Westbury brand was debuted three Westbury Baroque acoustics were offered, all made by Giannini. The string was another CraViola.
These probably only lasted a year or so; in any case, the Westbury name was dead by German makers were paced by Framus, which was imported by Philadelphia Music Company, located in suburban Limerick, Pennsylvania. The Scandinavian contingent was represented by Levin, Landola and Hagstrom, the latter picked up by Merson. The first Hagstrom electrics actually came to the U.
Most guitar manufacturers put a serial number on each instrument they produce. This number can be used to date a guitar and in some cases tell where it was made. Serial numbers tend to be stamped or written somewhere on the headstock or neck joint of the guitar. On some acoustic guitars, the serial number is on the inside of the sound hole. Most guitar read the best prices and ends. By the look of guitars represent the eastwood guitars the univox guitar read the sound hole labels in terms of the lead guitarist, On univox amps and in about them please. So i am free communication dating sites that kurt cobain was plywood and songwriter for greater savings check out our antique. Early Univox electric guitars and basses The precise chronology of the earliest Univox guitars is likewise uncertain. These were possibly preceded by Tempo guitars - Missing: dating.
Oh, almost forgot. Martin eventually purchased the Levin factory and got the Goya brand name, which it uses to this day, but not on guitars made by Levin. Avnet eventually also sold Guild, which today is owned by Fender.
Uh, um. Univox amplifiers Now we switch gears to a company called Unicord, which was owned by Sid Hack. ACA made Haynes guitar amplifiers and an early distortion device powered by batteries. Unicord began marketing tube amplifiers made in Westbury, carrying the Univox brand name.
No reference materials are available to me for this early Unicord period of Univox amplifiers, but there was undoubtedly a line. These American-made amps featured tubes and use high-end Jensen speakers. The Univox logo was on the upper right corner of the grille on a large piece of plastic.
The cabinet was covered in charcoal-flecked tolex with white beading, with a grey grillcloth. Front-mounted controls included two inputs, volume, tone, tremolo with speed and intensity, plus footswitch jack with footswitch.
The jewel light on these early Univox amps was a little red square. These combined tube output with transistorized components. They were covered with a black Rhinohide vinyl and sported a silver plastic logo with stylized block letters - initial cap with a little tail off the left followed by lower case letters - typical of the earliest imported Univox guitars, on the black grillcloth.
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These amps were powered by two 6MB8 output tubes, an unusual configuration. Front-mounted controls included one guitar and two auxiliary inputs, volume, tone, tremolo spee and footswitch jack.
univox guitar 6 string cand find it found a 12 string exactly li Posted by rock-ed-roll on Sun, 10/26/ - CAND FIND IT 6 STRING VERSION OR THE HEADSTOCK, FOUND A 12 STRING EXACTLY LIKE IT THEY CALL IT A BIZARRE MYSTRY, BUT THE HEADSTOCK IS DIFFERENT, CAN YOU HELP ME OUT, THE BACK PLATE SAYS -STEEL REINFORCED NECK made in japan # VINTAGE UNIVOX Les Paul Electric Guitar, Japan, SOFT BAG. $; Vintage Univox Super Fuzz Electric Guitar Effects Pedal $; s UNICORD UNI-FUZZ Model Expander FUZZ EFFECTOR Guitar Pedal Working $Missing: dating. Aug 20, The Univox copy started showing up at the end of the 60's. It had a plastic logo until about '73, then changed to a decal logo. Some say the body was plywood and others say it was poplar.
The tremolo was a somewhat dodgy transistorized affair. Solidstate The movement to all-transistor amplifiers probably followed hot on the heels of the hybrid amps of The Univox catalog features a new, ated line of tube amps, but also has a little offset-printed flyer showing the Univox A Group of solidstate amps, which probably debuted a year or two before.
Mar 03, Univox were a made in Japan guitar of highly variable quality. some were pretty good, and can be made into reasonable decent playing guitars, others are truly mcauctionservicellc.com haven't been made in probably close to 30 years and prices are at a premium, especially for the higher end set neck mcauctionservicellc.comg: dating. The Univox Page has information regarding instruments made by the Univox company, including guitars, basses, amps and effects. Also includes info on Unicord, Westbury, Heritage and MatsuokaMissing: dating. Univox was a musical instrument brand of Unicord Corporation from the early s, when they purchased the Amplifier Corporation of America of Westbury, New York and began to market a line of guitar mcauctionservicellc.com also distributed guitars by Matsumoku, effects units by Shin-Ei Companion, and synthesizers by Crumar and Korg. In , Unicord Corporation was purchased by Korg, and the Univox Missing: dating.
These had black tolex-covered cabinets with vinyl handles, black grillcloths surrounded by white beading, and, on some, corner protectors. On amps with front-mounted controls, the logo had changed to wide, block, all-caps lettering printed on a metal strip running across the top of the grillcloth just under the panel. Controls were on the back, with two channels for bass and normal. This had a rectangular logo plate on the upper left corner of the grille, with block letters and a round bullet or target design.
This looked pretty much the same, except the logo was reversed in white out of a black metal strip above the grille and the power switch had changed.
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These are the only two Univox amps listed in a price list contained in the bookthough, as you see over and over, others may still have been available. Remember, this was the tail end of the heyday of Kustom, with its colored tuck-and-roll amps, and the two-tone blue with a red-and-white oval logo was boss.
The lettering was the same uppercase blocks as on the outline logo. These new Univox amps were hybrids, with solidstate power supplies and lots of tubes - lots! The Univox B Group had two combo and two piggyback guitar amps, two piggyback bass amps and a piggyback PA.
It is not known how these were constructed, but because previous amps had Japanese chassis put into Westbury-made cabinets, these were probably built that way also. The illustration shows a grille with two small circles on top and two large circles for the speakers. The grille had four round cutouts. The cabinet grille had eight round cutouts. The grille had two large round cutouts with two small round cutouts on the sides.
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The amps had handles on the top, the cabs handles on the sides, to make life easier for your roadies. The grille had two large square cutouts with rounded corners. It also had 12 high-frequency horns with crossover networks, usually used with two cabinets. Shaft Lastly, but not leastly, Univox offered a super amp head, the C Group, or UX Series, available with either a guitar or bass cabinet.
These were promoted with a flyer that sported a muscular black model with naked torso looking for all the world like Isaac Hayes, the man behind the popular movie Shaft. The amp was a mean two-channel S.
It was set up for lead guitar, bass or PA use, with two guitar inputs, two bass inputs and two mixer inputs. Its watts were obtained with eight tubes - four s, two 12AU7s and two 12AX7s. Does anybody know about this guitar.
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It's a Sunburst color with a Hardtail. It's kind a cool I'm just curious about it like where it's made exactly how many were made if it's worth anything. This great-looking guitar has been in my family for 40 years but never played, I guess cause we're all acoustic-oriented.
I was searching for serial number information on a 12 string I just purchased, and the serial number matched yours!!! Ha ha. What are the chances that the serial number I'm trying to date was yours exactly? Anyway, if you would, I'd love to hear about the history of the guitar a little bit. I just took it apart and reattached the neck this month to improve the neck angle and lift the bridge off the guitar a bit.
Anyway, if you'd email me I'd appreciate it. If not, then that's ok too. Just wanting to see what year I have, it's a Univox custom, has steel adjustable neck made in Japan, double pickups, Rhythm treble switch, gold or sunburst with a dark neck and eight phrets the serial if anyone can tell me what year I'd appreciate it.
Hi there. I just bought one in NYC and i'd love to know more about her i called her Sylvia. Its a Custom copy made in Japan. Any help will be great!
Thanks so much! I have a Univox 12 string hollow body with the serial number I just need to know more about them. Hi I just got this guitar, the serial number is It's a Les Paul style and I don't know anything about it. I was hoping somebody could help me out.
Les Paul style electric guitar, how can I find out what date it was made. Guitar is in great condition.